Fossils, mistletoe and great warriors

Written by Martin Kirby on January 25th, 2012

The cold has bitten deep in January, but December was deliciously mild and the memory warms us. On Boxing Day, unable to amble beside the whispering pines and stout marram grass on Norfolk’s Holkham beach (Christmas always spells distance for us) we took off for a neighbouring village in these hauntingly beautiful Catalan mountains, following an ancient way that snaked through forest and ravine. In 11 years it was our first time.
Once past some pens of howling hunting dogs we dropped down into a dry river bed, clambered out the far side into a Paleolithic world, looped high through the silence of the trees and herbs, then sat and weighed the timeless solitude. Above, mistletoe ballooned from boughs: beneath us a bone-dry 20ft-wide cleft of rock told of the storm waters that had patterned eternity. Everyone knows that relentless water is undefeatable, yet, a few hundred metres on, a ridge still resisted, forcing the river to twist 90 degrees to the right, creating an amphitheatre curve of spell-binding magnificence and history. High in the bare wall of lime and red stone one gaping hole brimmed with the twigs of a raptor’s eerie. In the base, in grey rock that perhaps was once mud, we found a curious pattern of dark egg shapes with white centres like embryos. There was only a sprinkling of them.
Could they be fossils? The more you grow older the more you realise how much you need to know: Please enlighten if you have any knowledge.There was no one to ask at the time. In five kilometres we did not meet a soul, while above jet trails drew incongruously straight lines across the artwork of the heavens, like the Roman arrow roads that were once carved across the continent.

Back home we spent time on the vegetable patch, replacing the collapsing cane fencing erected two years ago by a Nepalese friend, also pulling out our exhausted tomato and courgette plants and nursing the winter cabbages, garlic and lettuces. Maggie created feasts from festival leftovers and, having watched the film Julie and Julia, we amused ourselves with the truth that she is steadily working her way through the glorious volumes of Delia. With a twist, of course, for all of Maggie’s meals are a variation on a theme, and I have lost count of the time we have chorused that she must write down exactly how it all came to pass, only for the moment and the creator’s memory to fade. That said, there is a rumour going around the kitchen table that she has written down … somewhere … her post-Christmas turkey and leek quiche recipe  - or was it the chicken with lime and coriander wonder? – and it is my ambition to post it on our website in the coming days.

One tranquil Sunday, January 8, the day before the bugle call of the school run rang out again, we rolled down to the coast to lounge on a bench and stare at the blue while the sun, scent and faintest of winter airs lied that it was March. Cafes and restaurants bulged with locals while a smattering of foreigners, include some South Americans whose Spanish accents were as distinct as a Geordie in Dallas, shared the warmth.

Do you remember how I signed off the last letter home? Joe and I were Barcelona-bound to meet a warrior, but on encountering softly-spoken, self-effacing Joel Stewart you would not, with all respect, deem him so. He was one step away from the crowd, and was stunned when I recognised him and thanked him.

But first this. In native American legend a boy asks his grandmother, who was called Eyes of Fire, why such terrible things have happened to their people. She answers: “There will come a time when the earth grows sick, and when it does a tribe will gather from all the cultures of the world who believe in deeds and not words. They will work to heal it… they will be known as the ‘Warriors of the Rainbow’.”

We are long-standing family members of Greenpeace. I could fill this newspaper with reasons why. The new Rainbow Warrior III ship, paint barely dry, is hope; a mere 855 tonnes of green and white belief that enough people care enough to say ENOUGH. Paid for by the 3 million members, she came to Barcelona after carrying her message up the Thames to London.
We queued with hundreds of others for the chance to stand at the bow and on the bridge.  We looked up at the sail rigging and were overwhelmed by the realisation of what a technological and psychological leap forward she is for the principle of direct peaceful action to stop the relentless, unforgiveable rape of our world, 70 per cent of which is covered in water: doing for the environment what the civil rights movement did for the dispossessed.
She embodies a rapidly growing awareness of – and resistance to – the insane pursuit of short-term profits regardless of the bleakest consequences for the planet. I -  we – desperately need champions like Greenpeace., and Greenpeace needs us. So check out www.greenpeace.org and follow Rainbow Warrior’s vital odyssey.
Joel Stewart? He is the skipper.

 

Dear Meryl, I have a Moon Daisy for you

Written by Martin Kirby on January 1st, 2012

I am releasing a seed of hope on to the ceaseless airs of the internet. What chance is there I can get a message to an outstanding actress via one of you?
Well, you never know unless you strive. If you don’t ask you will never have an answer. Read on.
With vivid imaginings of the wetland wilderness of Norfolk co-starring with violinist Meryl Streep on the silver screen, I tapped away at the laptop on the farmhouse kitchen table, failing to notice that the room was filling with smoke. It was only when my eyes starting to water from pain rather than emotion did I snap into action and panic.
Maggie’s invaluable feminine counter-balance to my completely normal male peripheral vision deficiency – optical and mental – was of no use because she was a thousand miles away in England.
Man home-alone is, in my case anyway, quite shambolic; always well-intentioned with as positive a manifesto as you are ever likely to hear, but rapidly disorientated and ultimately pathetically unhinged, with desperate final hours of trying to clear debris and feign an ounce of the art of independence.
Nor did I have a 16-year-old Ella or 11-year-old Joe for meaningful rhythm and life support – they were with their mum – so for an alarmingly long week the hands of the clock rain like a train without stations.
Days merge when I try to write. Razors rust. I forget simple things; like it is wise to turn off an electric fencing before straddling it; like it is a good idea to test significant adjustments to the wood burner before lobbing on copious amounts of olive logs and some old uncracked hazelnuts for good measure, and then forgetting about it.
Second on my list of home-alone tasks, after fixing the wobbly refectory table that is the hub of family, was to boost our heating system before winter grew fangs of icicles and whistled its lamentation through the copious gaps around doors and windows.
As always with the onset of winter I’d sealed the charmingly original but woefully ill-fitting front door with precision pieces of rolled newspaper, old scarves and a vast blanket. But, after 11 years, I suddenly figured that our wood burner could raise its game if I put steel plates between it and the wall, hence reflecting waste heat into the room. Genius.
The wood burner was raging and the smoke had a chemical aroma which I immediately deduced was like smouldering loft insulation: (Should the retrieving of a step ladder from a barn, carrying it upstairs, erecting it and clambering into the loft while wearing overalls and slippers ever become an Olympic sport I could be in contention).
But the loft was cold.
Down I raced, sniffing walls and the chimney pipe that rises through the floor and into the roof hence emitting a degree of upstairs warmth. It was dangerously hot, but there was nothing to explain the pong…..until I fetched a torch and reviewed my handiwork. In manhandling the steel sheets into place I had somehow overturned two night-light candles. They were on top of the pulsing stove, upside down, their liquid wax coating the steel and giving off the acrid paraffin smoke.
Gawd. With luck and all the windows open there won’t be a whiff of any drama by the time Maggie gets home. She will be none the wiser.
And still I potter about utterly distracted, seeing with increasing clarity Moon Daisy, the film. A one-time seed of thought is now so close to blooming.
Fourteen years ago, at about 2am, en route home after putting the English regional newspaper Eastern Daily Press to bed in my then role as night editor, I pulled over at the end of a lonely bypass and made my first jottings for a novel. Count The Petals Of The Moon Daisy was published in 2007 and shortly afterwards Eye Film and Television secured the film rights.
The screenplay by creative director Frank Prendergast is now public while senior producer Charlie Gauvain has just been to Canada and America for co-production talks. Applications and negotiations about funding and casting are happening for a film which, just like the book, will laud the beauty and history of Norfolk, specifically the north rivers of the Broads.
But it will resonate far further than that – across the Atlantic among North Americans with English roots, with all lovers of compelling mystery and classic English drama, with everyone who craves overwhelming beauty and emotion in a film.
I don’t see many films like that these days, but I love them and I think others do too.
People ask what it is like. I say that Moon Daisy, with its opening scene of a Norfolk wherry, will have the epic historical impact of a Thomas Hardy adaptation, enthralling contemporary human and musical themes of films like “Shine”, with the Trans-Atlantic touchstones of motherhood and ancestry.
This is the storyline. Haunted by a childhood boating tragedy, American violin virtuoso Jess abandons her son, her career, and attempts suicide. But her actions hasten another death, not hers. She is bequeathed a cottage more than 3000 miles away in Norfolk, England, where, lost and bewildered, she discovers Anna’s diary. Can a life story from the past lead her to recovery?
We see it as a film project of profound significance in a world of overload, with the themes of loss, struggle and healing reflecting each other through the story, the landscape and the music: A rich tapestry of emotion, sound and vision that will give the film real depth.
These are critical days for the project as we go public, hence my extraordinary distraction.
Moon Daisy was initially supported by Screen East and then was contracted for further development funding just before Screen East went into liquidation.  So other sources of funding are now being pursued, fuelled by valuable support from leading film professionals who have read the script.
For what it is worth, if there is anyone among you who is interested in helping this happen, then let me or Eye Film know. Meanwhile we press on, spreading the word, pitching, making a commercial case for a film that is not about murder, sex, comic heroes or spies.
And we ponder constantly which American actress in her late fifties or early sixties, musically trained preferably, could play violin virtuoso Jess. I have one fixed in my mind’s eye. Yes, the tremendous Meryl Streep plays the violin as well as being perfect in a host of other ways, so if she is a friend of yours (we have countless North American visitors to this website every month seeking, no doubt, the finest extra virgin olive oil), or she is the friend of a friend of a friend, kindly tell her we would love to talk to her. I’m serious. Forward this on. Let’s see if it carries to her door. And if it has, well Meryl, thank you for reading, and allow me to offer you a very beautiful Moon Daisy.

Sticking with North America for a line longer, our first pallet to Toronto has almost sold out and another will be leaving in a few weeks for continent-wide distribution.

All of us here at Mother’s Garden in Catalonia wish everyone around the world a very peaceful year of fulfillment and happiness.

 

Christmas thoughts from The Garden

Written by Martin Kirby on December 19th, 2011


The wood burner crackles with life after damp mornings of downpour or mist, but still no hard frost as, overall, the weeks and days running up to Christmas have been in contrast to the economic storm embroiling the continent.
I continue to track Jupiter at night and ponder on Voyager, the space probe that is now 17,391,000,000km away and on the point of leaving our little solar system. Closer to home it is a metre to the kettle that’s coming to the boil behind me, a kilometre to the village, 100 kilometres to Barcelona and 1300 kilometres to my fading Dad.
Distance; a measure between two points; an incalculable feeling that can make heart and mind pound back and forth along the boundaries of reason.
The night sky here in the Priorat mountains, as in some quarters of England where one is spared the gross urban addiction to blinding electric light, is hugely relevant, numbingly complex, bewitching beautiful and no help in the matter of life. Or maybe it is.
Regardless of creed or continent I wonder how many of the 7 billion inhabitants of this tiny planet look at Jupiter and the Milky Way at some point during their journey and strive to see themselves, the human condition and our global obsessions in the context of an (as yet, maybe never) unfathomable universe.
Maybe it is the consequence of dwelling so remotely, where, like the countless dwellers on the ledge, I float in space every clear night that I go to check on the horses before bedtime; of approaching a milestone of loss.
Yes, I am feeling that distance from my father. I will be with him by the time you are reading this and will, no doubt, have walked the cliff-top coastal meadows of my Sheringham childhood. There, among the echoes, I will grapple with life choices, not least the troubling consequence of distancing myself and family from him for all but spasmodic weeks and days during the last 11 years.
He has always professed total understanding and given unquestioning support. But even so.
Whatever emotions flood, I will not be able to resist standing on what locals call The Bump (a clifftop hill, the residue of the ice age)  and searching the planets and stars. Strangely, it is always a great comfort.

Which begs this question for all governments: Can we turn out some lights please? It would save a significant amount of Pounds and Euros if all that matters is economics, and it may help people come to terms with the dark.

A culinary footnote. Two women have taken over a local restaurant. Not a good time to sally forth in business. Trade has not been brisk, so we decided to offer some support. Maggie and I try and go for a lunch once a month, spreading our custom among the local hostelries where you can get three courses and drinks for circa €12 a head.
We were the only people dining, but what the heck, it all seemed satisfactory …. until the dessert. I was particular excited by the option of a rice pudding sprinkled with cinnamon.
Two things rapidly became apparent. Clearly no one in the kitchen was capable of sprinkling, as not one grain of rice was visible through the thick layer of brown powder. Secondly, the same individual couldn’t tell the difference between cinnamon and paprika. You have to chuckle.
Keep well -  and Happy Christmas thoughts and best wishes to everyone out there from us all at Mother’s Garden.

 

Rush for New Harvest Unfiltered Olive Oil

Written by Martin Kirby on December 8th, 2011

Our annual NEW HARVEST UNFILTERED olive oil shipment has now landed in England for Christmas feasts – and 90 per cent has already been sold!
Every year demand for the freshest, finest olive oil grows as, thankfully,  more and more people appreciate that freshness is as equally important as provenance and a guarantee that the olive oil is 100 per cent extra virgin olive oil. That is why we always tell you where and when the olives were pressed and bottled.
If you have ordered this potent new harvest unfiltered oil, alive with fruit particles, it should be enjoyed within six months maximum.
But if you missed out, don’t worry, we are taking orders for a January shipment so get in touch (click here). This will be filtered new harvest olive oil that will be packed with flavour and goodness, as always from the groves that won the highest award on the 2011 Great Taste Awards – 3 gold stars. Get in touch.
And we can announce today that Mother’s Garden olive oil is now available in Canada.
We are working with Dos Cielos in Toronto where Maggie was born – a fledgingly business run by a family who have stayed at Mother’s Garden. As with our UK supplies there is a choice of larger containers (5litres) and 500ml glass bottles. If you are in Canada or America and are interested to learn more please drop us a line and we will put you in touch.

The olive harvest here on the farm has been early and a little disheartening. A very localised April storm crashed in from the west and pummelled the olive flowers, robbing us of all but a few precious fruits on our trees. Other growers have had better fortune – groves just half a mile apart tell different stories – and the cooperative farmers we work with have more than enough wonderful fruit for our customers, thank goodness.We gathered what we could, then shared in the harvest at our neighbours Marta and Benet, taking with us friends from Norfolk, Suffolk and Essex, all members of the Prendergast clan.
As we savoured the sight of the youngest picker, toddler Mina, sitting with legs splayed on the nets, it was easy for the eye to drift to the autumn colours of the adjoining vineyard. The hues this year have been more warming than ever and the pastel days refused to yield.

 

Handprints, relics, whispers and wonderings

Written by Martin Kirby on December 2nd, 2011


There are places where time concertinas, when history thumps you in the chest. Marçà-Giné’s ledge, a 60-seconds eagle glide from Mother’s Garden, is one such cradle of whispers.
A vast lump of limestone, as big as a bus, rests, tilting slightly, at the rear of this human eyrie, beneath the summit of the little Miloquera mountain. Scars on the face of the cliff tell of where it once protruded, giving shelter to a Neolithic community. Scattered artefacts have been found, and suddenly you witness with your mind’s eye the trauma of that second it lost its grip. What – who – may be have been crushed beneath?
Fifty feet in front of it, half way to the lip of the great ledge and the mosaic vista of farms and forests in the river valley, a crumbling earth bank cannot hide its Roman secrets among the stones: A finger bone, the shattered end of a forearm relic. Who was it? What did that life amount to? What was their world, their experience, their voice?
The ledge, as ample as a football pitch and now only inhabited by the wind and tortoises, once offered the vital elements to an early existence – relative security, water from an inexplicably high spring, a closeness to the heavens. Beyond the Roman graveyard the neat footings of a temple run east to west. The twisting track from below is a way of sorrows, with Stations of the Cross leading skyward to a site of Christian devotion for the faithful.
And at the peak, 100 feet above the ages-old refuge, one defiant jagged corner remains to tell of the castle that looked down on the long lost timber homes that crowded this perch through the Dark and Middle Ages.
Over recent centuries the village has trickled to the base of the mountain and turned to brick, where, in one house among the many leaning into the narrow streets, Marçà-Giné was born in 1918. This renowned sculptor and later-life recluse was the final master of the ledge, the last of the ghosts. Revered by his community they gave him the space and peace he needed to work, reforming the scattered Roman temple stones to build him a great house high above them.
Marçà-Giné died five years ago and the village council decided to transform the space around the cobwebbed house from abandoned vineyard into a startlingly beautiful herb garden and sanctuary for the rare local tortoises. But the money ran out before work could begin within the walls.
Every time I have taken visitors to the “Garden of Scents”, to count newborn tortoises, breathe deeply and look out over the timeless sierra as all chapters of humanity have done, the house and its secrets have been sealed. Until this month.
We had ascended with two Norfolk friends, with good reason but little hope of getting beyond the gates because the garden is closed to the public in winter.
Teresa Verney, who runs Sing For Joy gatherings in orfolk (Norwich, Cromer, Sheringham and Binham), had come to plan with Maggie a Sing Away holiday tour at Mother’s Garden next April – sold out in a week, but we are making plans for more. The ledge seemed a perfect place for the guests to spend an hour in full voice, if Teresa agreed. The idea is to base the singing and socialising at the farm, with outings to beautiful places, with walks and feasts, laughter and beauty.
Jane Stevenson of Cromer-based Creature Comforters, the flower essence maker, was there too. She sings for joy with Teresa and also works with Maggie on essences, so came for two enriching reasons.
As we approached the gate our friend Pere the retired blacksmith and village historian with a timeless face and steady heart was just locking up after an hour of pottering. He pulled his pipe from his mouth, smiled like the sun and put the key back in the padlock.
We entered the great house from the side, climbing and crossing the flat roof of the pottery and kiln to emerge into the vast second floor, where all interior walls had been removed. Bunches of bone dry herbs were strung from beams. Cobwebs curtained windows and sewed a black wooded chair into a door frame.
A grand fireplace dominated the far end, and round the corner on the kitchen wall the sculptor had painted in great letters “I WILL NOT LET FAME ROB ME OF MY LIBERTY”.
Pere guided us down narrow stairs patterned with Marçà-Giné’s clay hand prints. We slowed, fanned fingers and pressed our palms into his. Below was the dusty ground floor leading to the cold kiln and redundant workshop with its line of empty shelves. To the back of the building a hole had been punched through into the now dry chapel chasm of the old water store. Teresa ducked and entered and it resonated with song as, from another corner, Pere turned holding an unopened wine bottle caked in time.
The house was not without the living. Four tortoises who had yet to hibernate were stocking up on lettuce leaves on the bare earth of an ante-room.
Back at the farm, Maggie, Teresa and Jane sat at the kitchen table and worked excitedly on the detail of the April singing holiday, agreeing that they would begin with a group of 15. I, meanwhile, lost in time, wandered outside and gazed up at Marçà-Giné’s ledge.

I will post again in a few days, with news of the olive harvest…………

 

Sing Away holiday at Mother’s Garden

Written by Martin Kirby on November 23rd, 2011

We are excited to announce that in April 2012 we will be holding a week-long singing holiday here at Mother’s Garden, organised in collaboration with singing teacher Teresa Verney of Sing For Joy.
Teresa will teach a wide range of simple songs she will show participants how to explore ways of using the voice to express the huge range of human emotions. It does not matter how well you think you sing, and everything is taught by ear. As a balance, we shall also be finding ways to be still and silent.
We will be visiting local places of interest, talking, making friends, enjoying wonderful food – all here on the farm in the Priorat mountains of Catalonia.
Places are going fast – just 14 for this our inaugural event from April 14 to 21 – but there may be more in the future if it goes well, so get in touch if you are interested.
Click below for more details, pricing etc

http://www.teresaverney.com/singingholiday.html

 

Chasing mice around the circle of life

Written by Martin Kirby on October 28th, 2011

The circle of the Mother’s Garden seasons is a kaleidoscope of charms.
I should have been telling of the stirrings of autumn a month ago, of that bluster and keenness that shakes the farm from summer stupor, but the cloudless calm lingered over Iberia to the end of October and the heat only waned by gentle degree.
Rain finally came this week, and we have waltzed in puddles, and for three nights the  cold has prompted us to welcome our wood burner back to life. For months, though, clear skies have given an edge to far mountains and radiant Jupiter defined the night hour.

The daily round includes giving the horses their night feed at about 10pm, and I never make haste. For weeks I have tracked the largest planet in our solar system as it has slowly overhauled the moon, three of its own satellites visible with my binoculars.
And when I wake there is Jupiter again, framed in the top window of our vaulted bedroom, as still as the air.Daytime temperatures are still circa 65 degrees F, 28 degrees C, and it would be easy to be lulled back to sleep in the belief that there is ample time, but we are wiser after ten mountain winters.  And should we ever be tempted to doze then the creatures that cohabitate these ten acres prompt us to pull our fingers out.
La Petita our plump pony has grown her inch-deep winter coat; the barn swallows and meadow-feeding hoopoe are long one, the latter gifting us a striped feather; snakes can been seen in search of winter lodgings, one by our friends’ back door; and the mice have moved in. The pantomime season comes early at Mother’s Garden, and this year the intelligent little rodents who secretly rule the world have given me an exceptional run-around.
First the mice thought it would be a wheeze if they moved into our holiday cottage and surprise some lovely Americans from Idaho. That backfired slightly because the Americans were of the log cabin, wild-side variety and didn’t bat an eyelid. I, though, blew a gasket, which was probably reward enough.

The cottage was supposed to be 100 per cent proof. We have had sparrows under the tiles for years and nothing more alarming than the very occasional creature wandering in – and out – through an open door.
A mouse had made an appearance the week before, during the previous visitors’ sojourn at Mother’s Garden, and was duly trapped and released far away.
“Ha, well, there you have it. Or rather I do….Absolutely nothing to worry about,” I said, laughing like Basil Fawlty, backing out of the front door, the trap behind my back. “Just the one. All sorted. Won’t happen again. Goodness – it that the time?”
Then, as we were cleaning in preparation for the Americans to roll up I had serious doubts. There was evidence, tiny bits of chewed wood, on the stairs. This sent me on a frantic inch by inch analysis of every roof beam until a visiting helper pointed at my turn-ups.
I was, as ever, resplendent in tatty farm jeans, torn t-shirt and mad hair.
“I think it’s you,” she whispered politely.

Fair cop. I had been up the land for an hour that morning, sawing my way through a significant pile of logs, so my turn ups were brim full with sawdust. Which was a relief, of course, and I lapsed once more into the naive belief that mice are solitary. Fool.

It turned out to be a classic two-pronged attack with a farmhouse invasion by a battalion, which came to a head when one scout popped out from behind the lamp on Maggie’s side of our bed  …. while she was in it. I had just figured out the cottage point of entry (the air vent beneath the fireplace which I should have covered with a fine grill seven years ago) so Maggie decamped down there for three nights while I sat up, blearily bemused.
Unlike the cottage, the ancient farmhouse has innumerable accesses, but there had to be one in our room because on the second night I closed the door and I still had company. Could it be the air vents in our chimney? Was that gnawing sound coming from behind the power socket?  In the end I deduced from the droppings where I should launch a counter attack. I ripped out a length of ill-fitting skirting board – which had one of those wafer thin gaps beneath it that mice can inexplicably squeeze through – to find a cavity the size of a shoe box. It was invasion HQ. A large bucket of cement later all is quiet once more, and Maggie has come home.
You should have seen the rodent rodeo today, though, when we decided in the last the light to move the compost bins. Our 400 litres of wine had fermented and we had four barrow loads of grape pulp in front of the barn to depose of before our insatiable free-range chickens became hopelessly inebriated.
That meant doing the compost shuffle – cleaning everything out, setting aside what was ready to use and mixing the pulp with half rotten compost. We have one main bin constructed out of old pallets and I wish you could have witnessed Biba the dog when I lifted up the base pallet. Scores of mice fanned out like the Monty Python sketch of the 100 metres for people with no sense of direction. Biba was like someone trying to catch several balls at the same time and ending up with nothing.

As for the chickens, there is still enough pulp on the ground to make them smile inanely and to distract them from ruining our persimmons.
Our largest, well-watered main persimmon tree, sagging with fruit, sits in a pool of rich green grass on the otherwise parched little terrace in front of the house. For more than a week the chickens have been sailing around in the long grass, taking it in turns to launch themselves several feet into the air to peck at the fruit: Surreal to watch, like some sort of improbable fairground entertainment.
With their entourage of sparrows they can, as some of you will know from experience, wreak havoc in the vegetable patch if they can breach the defences. I spent more than an hour yesterday fortifying some winter lettuces, only to come out of the barn with a bucket full of pulp to see it had taken the pea brains less than an hour to defeat me.
An hour or two in the garden, though, is good for the soul, isn’t it? The garlic and cabbages are in, and much of the wild fennel is out. The courgettes are still flowering, just, and Maggie has decided we will keep the far end of the plot clear to see if the rocket has re-seeded itself.
I would like to say that our autumn tomatoes, now at the top of the canes, are our best of the year, but that wouldn’t be true. Amid the brambles beside the septic tank Maggie has found a mountain of self-seeded cherry tomatoes. The prettiest discovery of all, though, was hiding in the watering can.
It is an orthoptera, but is this star-burst of breathtaking colour with the iridescence of coral a grasshopper or a cricket? I think it is a variety of grasshopper, on account of the shorter antennae and that it was around during the day. Or was it holed up until nightfall? I am never absolutely sure when trying to identify insects or birds for that matter, so answers on a postcard, all you entomologists out there.
I have carried out my annual roof inspection and attempted to cleanse our chimney by means of the highly sophisticated technique of attaching an old axe head to a long piece of rope and rattling it down the pipe. Needless to say it got stuck and I had to dismantle the pipe with sooty consequences inside the house – precisely the mess I was trying to avoid in the first place.
But my couple of hours on the roof had other worth. There were 18 cracked tiles that needed repairing, two footballs to retrieve and a loose cap to one of the chimneys that could have toppled in the next gust.
I took my time. I always do when I’m up there. You get a different perspective of familiar ground. James Taylor sings of the roof being his place of peace and solace – alright, a roof terrace with stair access, but you know what I mean  – and I understand what how he feels. When I lived at Barley Cottage overlooking Aldborough’s Green, I’d find any excuse on a still summer’s day to check the pointing on the old stacks, then sit on the ridge and watch the clouds.

 

Carrot cake with that Mother’s Garden difference

Written by Martin Kirby on October 9th, 2011

Carrot cake with walnuts – so so yummy.
This nutty variation has been enjoyed repeatedly in recent weeks with our hard-earned Mother’s Garden afternoon tea, and  made for us by two tremendous farm helpers Natalie Kinsley and Andrei Solomka from Norfolk, England. Among the many farm tasks we are collecting walnuts now and so it makes sense! Delicious.

Ingredients

100g Self-raising wholemeal flour
100g butter
100g soft brown sugar
2 eggs
100g carrots
2 handfuls of raisins (soaked in orange juice for half hour, minimum)
50g ground almonds
100g walnuts
1 teaspoon grated ginger
1 teaspoon ground cinnamon

Preheat the oven to 180 C, 350 F. Grease a 20-cm round cake tin and line it with greaseproof paper.

In a bowl mix  100g of softened butter and 100g of soft brown sugar until fluffy.

Beat in 2 eggs and gradually add the flour to the mixture. Grate 100g of carrots into the mixture. Add the soaked raisins. Add 50g ground almonds. Roughly chop 100g of walnuts and add. Mix well.

Add 1 teaspoon of ground cinnamon and grated ginger into the mixture and stir well.

Spoon into the cake tin and bake for 40-45 minutes. The cake should be golden brown. When cold, top with icing – make this by simply mixing icing sugar with soft cream cheese until sweet to your own taste.

 

Great spirit of Don Quixote rides again

Written by Martin Kirby on September 27th, 2011

The low sky bears a tufty beard of grey, and several people remark on a vast rip in the cloud that runs as straight as a lance. I am sitting on a wall outside the theatre, looking up in search of characters as my imagination canters to the horizon.
How strange that, on that September Sunday of all days, the breathless blue of the month is shaken by the drama of a great cumulus and wind charging down from the plains of La Mancha.
It is as if the curious spirit of Don Quixote has come to see.
That most complex, chivalrous and absorbing of all literary characters, gifted to the world by Miguel Cervantes on pages so wondrously jewelled with genius, has filled our minds for weeks: Now our hearts too.
As I write a crowd of contrast moves around me. We are outside the 600+ seat theatre in our small town of Falset. A matinee begins in an hour. I, still rudderless and adrift among the emotions that welled during the sell-out first performance the night before, know what is in store.
Half the people are a hum of ease and expectation, a happy muddle of small huddles, tickets in hand. The other half cut through them in a patient, long line of pondering that leads to the box office.
Will there be enough tickets? Painted faces pop out of the stage door to check.
La Corranda, our local, acclaimed dance theatre company founded and directed by Josep Ahumada, is working its magic again.
What he and his core of dedicated dancers bring to their tiny, mountainous home region of The Priorat – and carry across Catalonia and beyond – is exceptional, enthralling art, infused with a commitment and originality worthy of any stage. And the word is spreading.
At the penultimate three-hour rehearsal, close to the zenith of three years of preparation, television cameras astutely acknowledged what art is happening here, and the entreating for the company to visit other theatres has already begun. Given the unrivalled worldly fame of the story they have chosen to portray this time who knows how far they will go.
Why so glowing, Martin?
Our children, Ella and Joe, two faces on the stage among the many, have learned a great great deal from Josep (Cervantes) and the likes of Pau Ferré (Quixote or Quixot in Catalan), Jordi Banqué (Sancho), Elisa Barceló, Jordi Vaqué and Marta Cardona – how I wish I could list every one of these 40 adults and young people – not least the unforgettable joy and fulfilment that come with shared dedication; the immeasurable rewards of aspiration, perspiration and courage; and the infinite value of the arts.
But that is not why.
La Corranda’s portrayal of Don Quixote, dedicated by Josep to his late teacher, co-director and friend Eduard Ventura Díez, the leading exponent of traditional Catalan dance who died in March, could have been simplistic. It is not.
Somehow they have imprinted upon it, beyond the cruelties and mocking, the warmth and depth of glorious friendship, a tenderness, and a sense not of a fool but a man who craves a greater glory.  Where, ultimately, do sympathies lie? How endless the range of meaning? And, as between the lines of the pages, the character of Cervantes himself stands before you.
Bravo. La Corranda. Bravo.
Have you read it? No doubt a great many of you have. It is accepted that there has been no writer to equal Cervantes and Shakespeare since their deaths in April, 1616.  And conductor Simon Rattle summed up Cervantes’ literary masterpiece quite beautifully when, choosing it as his Desert Island book on Radio 4, he said “If there is any novel that contains the seed of every other novel it is Don Quixote”.
We have already found our copy to re-read, and we talk of if – how – La Corranda with its two Norfolk dancers could present their Don Quixote in England, at a festival in our home county, maybe.

 

Summer softness and lessons learned

Written by Martin Kirby on September 13th, 2011

September 12. The children returned to Latin school this week after three months of ease, and we try to re-adjust. Not easy. Summer peace and heat linger. It is still 80+ degrees in the shade, almost still enough to hear the beat of the crimson dragonflies’ wings.

Two weeks ago the echoes of fading fiestas had been drowned out by the quiet of contentment, of slow-blinks, gentle greetings and steady hearts as the holiday gently came to a stop. Now, in the melee of school runs with its pinch of reluctant urgency, I find myself reflecting on summer lessons learned.

In August the pond weed in the old wash pool bloomed with a few tiny cream flowers – blooms as gentle in hue as the sensibly sparse street lights of the mountain villages that neither blind the night nor squander.

Better. Such softness is like a dream. You can make out quite enough without the haste of detail, and around every corner in the immeasurable three hours either side of an August midnight you will find young and old have pulled chairs, tables and pushchairs into the middle of narrow streets to, well, be.
Some do more.

An hour inland, at the end of a winding journey when we encountered as many foxes as we did other souls, the village of Cabaces pulsed gently with these promises. It is one of the more remote of communities, yet no less alive than any other huddle of homes in this mosaic of ridges and valleys, forests, vineyards and groves.

It was nearing 11pm. We were taking Ella, who had just finished a dance rehearsal, and her friend Celia to watch the latest round of the summer inter-village five-a-side soccer tournament. Yes, 11pm. They had kicked off at 7pm with an estimated finish time of 4am. This was the fifth tournament, and high above the nest of soft lights, just above the village pool, more than a hundred people looked down on teenagers tearing back and forth after the ball with – all being considered – startling energy and skill.
Well, this is Barca FC territory after all. Boys dream. Some believe. It is more than sport. One of her classmates has just signed for premier league team Osasuna.

Ella has been gliding these summer mountains better than the eagles because, I sense well enough, there is something immeasurable about this time for her, of growing up amid a loving group of friends in a treasure trove of simplicities.

Meanwhile I, her chauffeur, once fully awake with the assistance of cold water, am content to weave slowly along the lanes in the company of a cheese moon and the endless heaven, while hoping for the sparkle of animal eyes. Time aplenty to reflect on how, as parents taking our young children to live a radically different life, we have fundamentally changed their world…..or have we?