My April of remembrance

Written by Martin Kirby on May 2nd, 2012

Squalls and sunshine; legions of broken clouds shunted westward by a pepper wind; double rainbows two days on the trot; a myriad of wild blooms reigned over by the poppies; the intoxicating beauty of Mother’s Garden as, brimming, I stare at one of life’s great milestones.
Am I really so old?
During the long month of April I have stood and sat in places – not Catalan but English places – that flood memories of childhood with the clarity of Holt Hills’ spring water, specifically my seventh year. Some formative things you never forget: These are mine.
Dad died on March 18. On April 5 we carried him into St Andrew’s Church, Holt, in the far East of England, in the green folds of north Norfolk, filling that crowded space with music and an ounce of mischief, just as he had done as a 12-year-old in 1932, straining to reach the pedals of the organ.
Earle Kirby was 91: A man of music and smiles, a composer of courtesy and comical raspberries, of immovable opinion and unerring loyalty to family and friends as strong as his allegiance to the bright side. “I won’t be beaten, boy,” he would say with a beautiful Norfolk lilt, and he never was.
He had been a one sock up, one sock down child, a free bird of those Spout Hills, devoted to his mum and dad, Tom and Ellen, of The Fairstead on the Cley Road, a boy and man wedded forever to his town. He had raced through its alleys and along its streets on his cycle with neither tyres nor seat, scrapped with other cubs under the long-gone water tower on Shirehall Plain, and he had marched home down the High Street after five years at war in North Africa and Italy.
A few days before his funeral I went home. I drove through dappled shade along the much diminished road where I had puddle-jumped in red wellies, been towed on a sledge behind a car and had considered in all security that the whole world was houses nestling in woods that ran to heath and endless sea.
I stood between gateposts, took a deep breath and knocked on the door of the house which Dad had designed and which I left when I was six. I sat again on the very same stair where I had said to myself, arms wrapped around my knees, “This is 1965 and I will never forget it”.
Within days of that moment my family was irrevocably broken. My equally dear mother took me and my sister to live in the neighbouring town of Sheringham, four miles away. In the dark corners of confusion and discord only one thing was clear to me. Dad was left behind.
In adulthood, long after the consecutive 500 Saturday afternoons and evenings we spent together after the separation – when every second counted and an unbreakable bond was gilded – came just one solitary mention of his then desperate struggle with suicidal thoughts.
But he would not be beaten. No.
That house in High Kelling, like the road, had shrunk, but I could remember every inch of it. Echoes bounced off the walls. How, when now I can barely recall what I did last week?
From there slowly on in to town, gliding past the seam of trees through which my mum would push me in a pram along a path long lost to undergrowth. Left into Grove Lane, hearing somewhere the whining gearbox of the old pale-green Ford Anglia Dad called Lilly, choosing at the last second not to stop at his bungalow home of 44 years but to press on past the flint wall of the old workhouse, to park and walk to the Hills.
There is another great sweep of flint wall there too, high and mighty on the bank above the spring pool, rising steadily from its beginnings at the entrance to Hill House beside Holt Methodist Church at the zenith of Letheringsett Hill. That towering curve of stone and brick would hold my impressionable eye every time we walked the vale, the greatest unexplained thing I had ever seen, filling me with wonder and foreboding as what could possibly lay beyond.
All scale is lost with years, but not feelings.
Fat oaks now stand where once we would scream down on sledges, sometimes into the brook that is full of reflections.
I never knew Tom and Ellen. They were gone before I was a year old and are buried in the cemetery on the Cley Road, just on from The Fairstead. I pointlessly sought shelter from rain under a hawthorn, then, protecting my gift of daffodils, dipped my shoulder and pressed on towards them, up the path the way Dad would run home from school, to stall at the back of the garden I have no memory of but now know so well. Water on my face I pulled photographs from my mind, all found in a box in the bottom of Dad’s wardrobe; My Nan in her deckchair by that door, a tray of tea on the grass, Dad holding his new cycle, Grand-dad beside the chicken coop. For whatever reason, perhaps unmanageable loss, Dad had never taken me there, never retraced those steps. I stood and tried to piece this part of me together. Maybe nothing ends if we remember.
I didn’t intend this blog to be so raw, but that is how life has been, and that does not mean bleak. It is the common crossroad, in my family’s case with the greatest blessing of a very long, fruitful life. There has been sun as well as rain (not least the phenomenal care of everyone at Sun Court Nursing Home in Sheringham), and just before Dad was laid to rest with my step-mother Eve it was so good to honour in my rambling epitaph his heart, humour and that refusal to be beaten. I even blew a raspberry.
When tests finally proved that this one-time Norwich cinema organist, Royal Artillery veteran, car paint specialist, music teacher, co-founder of the North Norfolk Aeromodellers and member of the Last of the Holt Summer Wine was unable to see where he was going and the DVLA took his beloved driving licence away there were no complaints.
His solution was an electric cycle that would do a hair-raising 25mph. I couldn’t watch and I certainly couldn’t argue. And when after an alarming couple of years the rapid onset of glaucoma meant even he decided it was all getting a bit risky for the good people of Holt there was a plan C.
“I’m goin’ into production, boy.”
“What do you mean Dad?”
“I’m goin’ to make bird tables.”
“Um…how exactly?”
“I’ve bought a tabletop saw. Now stop your worryin’. I’ve thought it all out. I’ll do it by feel.”
He died of old age, by the way, with all his fingers attached.

FOOTNOTE: My apologies for the late arrival of this post but, perhaps, the reason is obvious. Watch this space for news of a different nature in the coming week. Best wishes to all, and thank you for reading. Martin.

 

Loose leaf tea and fine literature

Written by Martin Kirby on April 1st, 2012

Ah, the ethereal contentment of loose leaf tea and fine literature.
Since November 10 we have spent an hour every Sunday morning wandering the fields and lanes of 1930s north Suffolk, England, in the irresistible company of Adrian Bell; living with him, lost in the colours and truths reflected in his eyes, walking in his measured stride so as not to miss a detail.
My selfish gift to Maggie on her birthday was the trilogy of Corduroy, Silver Ley and The Cherry Tree penned by the columnist – nuggets of English pastoral writing and as treasured on this farm as much as the volumes of Lilias Rider Haggard, Ted Ellis and William Dutt. (Google them).
A dawn dressing-gown-and-wellies excursion to the chickens and horses while the tea brews, a minute nursing the wood-burner before back into bed to read to one another on the one morning when we try to cease worrying about the common, endless demands on time.
How good to read again Bell’s thoughts on what fulfils; how a pony and trap can hasten the real world into our conscience far swifter than a car ever will; how the morning rhythms of lamp and fire lighting ignite the spirit to face the day.
And coincidences fly up from the pages. Bell writes of Lapwings, now endangered but of which great clouds fill my childhood memories, wavering like blow leaves above the rolling fields of the north Norfolk coast within the salt scent of the North Sea. We read, we remember, and within days we spy four Lapwings on a hay field just a mile from Mother’s Garden, our first sighting during our eleven years here.
For there is, happily, some harmony between that life and this, where at arm’s-length from nauseating commercialism we are gifted immeasurable, timeless wonders to ponder and learn from, in tandem with the pains and rewards of bending the back to touch life and work the land.
We are one chapter from the end of The Cherry Tree, an aching thought, but I have asked a friend at BBC Radio Four to help us track down a recording of Martin Bell’s programme about his father, broadcast about five years ago. Did you hear it? And to steady our pace throughout the year we will next read Apple Acre (1942), Sunrise to Sunset (1944) and The Budding Morrow (1946), with the store of Bell’s later books to draw on after that.
The Swallows will race by from Africa any day now, for the birding has begun, fanned by the unseasonably warm, dreamy air. Wildfires are flaring across this parched peninsular (in March, for goodness sake) and we must balance this fear with the beauty and the awakening. The return of feathered melodies that faded away in October; the shocking exultation of a murmuration of Spotless Starlings spooked from the meadow; a Mistle Thrush on a pruned vine; a Sparrowhawk dining at the foot of an olive tree while a Short-Toed Eagle circles; the star bursts of almond blossom; the contentment of our horse and pony who have an acre of woodland and vineyard to graze.
Better still, our Kingfisher obligingly hangs around my office window; two Great Spotted Cuckoos condescend to be admired, drawn, it seemed, by the sound of paint being scraped from old shutters; and a pair of Sardinian Warblers flit between their nest in the choicia shrub beside the barbecue and a our vast fig tree where they hop about, hunting for bugs.
Then, when you think all is done that day comes the glory of the crystal night where Venus dances with Jupiter in the west, and easterly Mars makes us curious.
For half way there is “Curiosity”, the largest and most advanced rover we Earthlings have ever sent to explore another world, whistling along at six miles a second and due to land on our neighbouring red planet in August. Is this really a precursor to a one-way manned mission to the red planet within the next 20 years? Any volunteers?
While living the day we look back as well as forward.
Needing to recharge, and with nephew Yan agreeing to take up the reins, we wandered off to the coast for two nights, just an hour away, to savour the loneliness of sands that in summer pulse with near naked humanity, and to take an ages-old step into the past.
At the northern end of the smile that is Altafulla’s bay, just down an anonymous, short, walled path guarded by a squat palm tree, are the remains of a great Roman villa, Els Munts, one of the most important in all of Spain because of its size and the opulence of its decorations, including vast mosaics, gardens and two thermal baths.
It was a dwelling for six centuries, summed up in one lump of stone. At the end of a well-preserved mosaic walkway you can see where stairs once rose to the long-gone second floor. The first step, a foot high when laid, sags in the middle, half worn away by the footfall of residents, guests, servants and slaves.
How to get a handle on history, to measure it, sense it? Is it in a pupil’s conscience merely the length of a lesson, or as long as it takes to memorise a date? We sprint out of the school gate and that uniformed world into the heady immediacy of life, fuelled in a twentysomething chapter of immortality by the sense of it being our time. Now, as I wander happily downhill at Adrian Bell’s pace, I ponder what I have missed and I lament my weakening eyes. I am hungry to stare.
The low terrace of old white cottages built on the shoreline by long-gone fishing families is a charming front to some typically bland Spanish urban architecture. The crush of summer veils the truth, that on so much of this coast the magic has been swamped by so much mediocrity, laid bare by the cold honesty of winter. And this planning disharmony seems to drown some people’s sense of respect for the environment, with our rocky headland walk and imaginings of ancient beginnings strewn with the debris of idiots who couldn’t give a damn.
Whether it is here, Hinkley, Helsinki, Hownslow or Hull, can we collectively agree to stand tall and challenge anyone who couldn’t give a damn?
We walked on, jaws locked, to a tiny bay where Romans had carved rectangular blocks out of the rock and where, now, beards of grass-green seaweed ebb and flow. Again we left the present and ran our fingers across the past.
Let’s change the subject.
Anyone who lived through it should remember that ferocious UK gale in 1987 that flattened forests, stirred up a rainstorm of roof tiles and put the fear of God into everyone, and yet for all the mayhem is best remembered because of a BBC weather forecaster’s reassurances.
Just before the mayhem he had assured the nation, in response to a woman who’d phoned asking if a hurricane was on the way, that it wasn’t, and that Spain would get it instead. The storm veered north, 3 million homes were damaged, 15 million trees were uprooted and 19 people died.
Among the shocking images was one of a block of five garages – those little lines of adjoining, flat-topped buildings where the British keep their beloved cars….or not. A gust had torn the roof off in one lump and from the helicopter circling the devastation a photographer had gifted the world a spy satellite view of the contents.
Yes, you are right – there wasn’t a car in any of them. One was spotlessly clean and as empty as a politician’s promises. The other four, however, were stacked to the absent ceiling with things that “might come in handy one day”.
The relevance of all this is our 200-year-old farm Catalan barn; large as a house, and (you guess correctly once again) full of “stuff”. Or rather it was, because we have finally taken to the recycling centre a ludicrous number of glass jars, plastic bottles, cardboard boxes, vinegar, children’s broken toys, perforated irrigation piping and an ancient sack of bread flower (lost and forgotten beneath the pile) that had turned to stone.
The vinegar had been lined up in a collection of dusty containers between the snow tyres and the yellow anti-freeze for the solar hot water system ever since our first winemaking attempt had gone horribly wrong. Delusional, we had wondered if it might improve with age.
Three hours, two rats’ nests and a dust storm into the task, Yan waved a carrier bag of something in the air.”Ay, Ay!” he said, looking inside again, his eyebrows completing the circle of his grin. “Beaten Rasquera to it have you?”
For those of you who haven’t had a whiff of this story that made the UK newspapers, the village where we buy our Christmas turkey is making plans to plant out 12 acres of cannabis to beat the economic crisis.
In our case the bag in question contained dried oregano if you must know, wedged underneath a couple of broken – but repairable – beach chairs. We do not grow pot.
The mayor of Rasquera’s plan is to free the 900-strong community of a whopping €1.3million debt by cultivating marijuana for a personal use cannabis association who will pay €54,170 a month: Heady stuff, in my case for two reasons.
Are small Spanish towns and villages really sliding into that degree of debt? Blimey. And what exactly is the legal situation for such a radical project because it’s seems to be without precedent? I sense a storm brewing….
Mind you, just be grateful they haven’t shortlisted your neck of the woods for the $22.3 billion EuroVegas resort – a Vegas-like strip of 12 hotels, dozens of restaurants, a convention centre, three golf courses, a stadium and six casinos, modelled, unnaturally on the neon outcrop in the Nevada desert.
Spain has been chosen because of the climate and (maybe, no probably) the recession, in that the American creators are said to be looking for hefty concessions from a national government that is sufficiently desperate for jobs and investment.
It seems both Barcelona and Madrid are the finalists. For once I want Madrid to win.

Keep well.

 

Static attack (and I don’t mean the cat)

Written by Martin Kirby on March 5th, 2012

There has been something in the winter air at Mother’s Garden, and it hurts.
Strangely, as the clear night temperatures in the Catalan mountains slid to minus 10 after a mild January, the ache of brittle cold was not adorned with jewels of frost. Instead the startling absence of humidity caused sparks to fly.
The static here has been alarming as well as painful and has added to the disconcerting realities of no rain and economic squall. Opening or closing a car door was accompanied by a blue flash and curses. Taking off a jumper was enough to illuminate a dark room; kisses came at too high a price.
There has been talk of extra-terrestrial activity or nuclear meltdown, but it has been, hopefully, just a particularly barren spell of hydrogen-bonding, the likes of which we have never experienced before. You know – not enough water molecules to reduce the air’s resistance, so static charge builds up on objects and people. (No, I’m not entirely sure what I mean either, but there are clever trousers among you who do).
The dry Sere wind from the west, the dominant force most mornings, has refused to yield to more humid afternoon wind from the seaward east, and there by lies the disharmony.
The harnessing of wind power is the bold focus in this corner of Spain, with hundreds of turbines within a 30-mile radius of us, and I want to tell you about that another day.
Perhaps, though, we should all look again at Nikola Tesla’s ingenious theories of a century ago regarding the capture of electricity straight from the atmosphere. In 1910 he designed a system to harness the power of lightning, that dramatic discharge of static electricity which is an alarming, unifying fact of life for we Earthlings.
I’m reliably informed that the average lightning bolt contains a billion volts at 3,000 amps, or 3 billion kilowatts of power, enough energy to run a major city for months. As I am sure I have relayed before, we have far more “raindrops on roses and whiskers on kittens” moments here than in the UK, and there are 16million lightning storms worldwide a year. I really don’t like them but would be happy to hear one if it heralded rain.
May this parched winter have been broken by storm by the time you are reading this, and the thirst quenched. The earth is desperate.
Extreme times indeed, with a deathly dryness to reflect the social climate as the pepper wind of economic recession begins to find cracks in that powerful, rural Latin resilience. The pervading chill of unemployment among the young – running at a numbing 47 per cent – is, along with sickening health and education cuts, carving a canyon between the vulnerable and the insulated.
The safety net is the seam of simplicity that still runs through village society, where stoicism is personified by the oldest generation who remember far worse than this and who, vitally, remain at the heart of many families. Their gardens, like the families, grow and nourish because they are close by and they are able to tend them.
Encapsulating the weight of everything, the timeless Fonda hostel and restaurant in town has finally closed. The door has been boarded up and the flaking shutters have been pulled closed, sagging like the wings of a dead bird. It was a place from a fast fading past, glorious in its ungarnished contrast to the present, with, glaringly, no future. Its closure was inevitable but still a shock.
Perhaps in more positive times someone will step into the void left by the elderly proprietors, rekindle that charm and preserve the key, simple essence of it, once a world living far beyond its means navigates a path through the debris of shocking excess.
Perhaps an attitude founded on the Latin family and community-orientated resilience will prevail, that we will all find a way to recalibrate what is important, and that the air will cease to be charged with injustices.
The questions come thick and fast from the homeland about how hard it must be to live here right now, given what a financial muddle Spain is in, and I am loathe to answer; because the societies are different and, subsequently, so are attitudes, even if there is a collective continent-wide nausea at being misled. Forgive me, though, but it seems some people’s fuses are considerably shorter in England. I was going to tell you of a grim altercation at Luton Airport, but I think I have said enough.
We struggle to stay afloat and grow weary as each day fades, but this life remains so full of opportunities and rewards, and we are healthy, ever hopeful and grateful. All I know is that around the corner there are always more bridges and all we can do is cross them when we get there.
Just to the front of the farmhouse, but not so close to home, Tilly and Ted’s terrier world has undergone a significant reformation. Their run was diseased with dog-size escape holes in the inadequate chicken wire, all plugged by me with anything that came to hand, from clumsy weaves of waste wire, to old window shutters from the tip. It was a disgrace. So visiting nephew Yan has rebuilt it, incorporating chain-link fencing to defeat the canine Houdinis.
And while he was at it he lopped off the fat, dead fig limb above their lodging, revealing what we already feared – that the old tree had all but been eaten alive by the termites. They had flowed along vast arteries to the heart of the tree, and we have known for some time that rats, long evicted, have gnawed a chasm among the roots.
The sadness is that the long branch that has now gone once supported the children’s swing during our first years here, but while the vast girth of the old trunk decays another young tree grows right beside it, bark beside bark, large enough already to give the shade the dogs need in summer.
Tilly and Ted are farm dogs and reside in their shack each night after exhausting excursions when they tear about chasing fancies. They are our dark-hours early warning radar, but too finely tuned it turns out to afford us many nights of uninterrupted sleep. We figured there were two reasons for this beyond youthful exuberance.
We will never be able to stop the wild boar snorting and giving off distinct aromas, but perhaps we could do something to make the mad mutt’s sleep lest fitful. The penetrating cold, despite their deep bedding of straw and blankets, was a factor, no doubt about it, so it was time for some pyjamas.
Actually, Ted’s looks more like a Nordic ski jumper, which he considers particularly fetching, but Tilly is living proof that dogs can be embarrassed. We don’t see why – the pattern on her jimjams has a certain heraldic quality, with matching red sleeves and neck. Either way, the incidence of midnight madness has diminished considerably, and all we can hear now is their great aunt Biba snoring on her armchair in the office.

As always, we send happy thoughts and best wishes from the Garden. I will write again soon.

 

Our fresh olive oil now in Canada and America

Written by Martin Kirby on February 28th, 2012

Do you live in Canada or America? Would you like to try our fresh, top award-winning extra virgin arbequina olive oil?

New harvest olive oil straight from the village mill here in The Priorat, Catalonia, Spain, will be arriving in Toronto – where Maggie was born – any day now for immediate delivery to private clients and chefs.

We have teamed up with Dos Cielos Privado of Toronto to bring make Mother’s Garden arbequina extra virgin olive oil – awarded the top 3-star gold standard in the British Great Taste Awards in 2011 – available for North Americans who appreciate the finest, healthiest food that is bursting with flavour as well as goodness.

As in England, we are giving people the chance to enjoy fresh olive oil as we do here in the Mediterranean – 100 per cent extra virgin, from a single village cooperative mill, in the beautiful Priorat mountains where the groves have been tended for thousands of years.

Just contact us now and we will arrange for Dos Cielos Privado to get in touch.

This is what Colin Webster of Dos Cielos Privado, Toronto, says about our olive oil.
“It the best 100 per cent arbequina olive oil that I have ever tasted.”

BOOK RECOMMENDATION: And we strongly urge everyone who loves and understands – or wants to understand more – about the finest, freshest 100 per cent extra virgin olive oil to read Tom Mueller’s vital, intelligent and engrossing new book Extra Virginity: The Sublime And Scandalous World Of Olive Oil (Amazon in US). The American writer, based in Italy has laid bare the story of one of the world’s more important and wonderful foods.

 

Fossils, mistletoe and great warriors

Written by Martin Kirby on January 25th, 2012

The cold has bitten deep in January, but December was deliciously mild and the memory warms us. On Boxing Day, unable to amble beside the whispering pines and stout marram grass on Norfolk’s Holkham beach (Christmas always spells distance for us) we took off for a neighbouring village in these hauntingly beautiful Catalan mountains, following an ancient way that snaked through forest and ravine. In 11 years it was our first time.
Once past some pens of howling hunting dogs we dropped down into a dry river bed, clambered out the far side into a Paleolithic world, looped high through the silence of the trees and herbs, then sat and weighed the timeless solitude. Above, mistletoe ballooned from boughs: beneath us a bone-dry 20ft-wide cleft of rock told of the storm waters that had patterned eternity. Everyone knows that relentless water is undefeatable, yet, a few hundred metres on, a ridge still resisted, forcing the river to twist 90 degrees to the right, creating an amphitheatre curve of spell-binding magnificence and history. High in the bare wall of lime and red stone one gaping hole brimmed with the twigs of a raptor’s eerie. In the base, in grey rock that perhaps was once mud, we found a curious pattern of dark egg shapes with white centres like embryos. There was only a sprinkling of them.
Could they be fossils? The more you grow older the more you realise how much you need to know: Please enlighten if you have any knowledge.There was no one to ask at the time. In five kilometres we did not meet a soul, while above jet trails drew incongruously straight lines across the artwork of the heavens, like the Roman arrow roads that were once carved across the continent.

Back home we spent time on the vegetable patch, replacing the collapsing cane fencing erected two years ago by a Nepalese friend, also pulling out our exhausted tomato and courgette plants and nursing the winter cabbages, garlic and lettuces. Maggie created feasts from festival leftovers and, having watched the film Julie and Julia, we amused ourselves with the truth that she is steadily working her way through the glorious volumes of Delia. With a twist, of course, for all of Maggie’s meals are a variation on a theme, and I have lost count of the time we have chorused that she must write down exactly how it all came to pass, only for the moment and the creator’s memory to fade. That said, there is a rumour going around the kitchen table that she has written down … somewhere … her post-Christmas turkey and leek quiche recipe  - or was it the chicken with lime and coriander wonder? – and it is my ambition to post it on our website in the coming days.

One tranquil Sunday, January 8, the day before the bugle call of the school run rang out again, we rolled down to the coast to lounge on a bench and stare at the blue while the sun, scent and faintest of winter airs lied that it was March. Cafes and restaurants bulged with locals while a smattering of foreigners, include some South Americans whose Spanish accents were as distinct as a Geordie in Dallas, shared the warmth.

Do you remember how I signed off the last letter home? Joe and I were Barcelona-bound to meet a warrior, but on encountering softly-spoken, self-effacing Joel Stewart you would not, with all respect, deem him so. He was one step away from the crowd, and was stunned when I recognised him and thanked him.

But first this. In native American legend a boy asks his grandmother, who was called Eyes of Fire, why such terrible things have happened to their people. She answers: “There will come a time when the earth grows sick, and when it does a tribe will gather from all the cultures of the world who believe in deeds and not words. They will work to heal it… they will be known as the ‘Warriors of the Rainbow’.”

We are long-standing family members of Greenpeace. I could fill this newspaper with reasons why. The new Rainbow Warrior III ship, paint barely dry, is hope; a mere 855 tonnes of green and white belief that enough people care enough to say ENOUGH. Paid for by the 3 million members, she came to Barcelona after carrying her message up the Thames to London.
We queued with hundreds of others for the chance to stand at the bow and on the bridge.  We looked up at the sail rigging and were overwhelmed by the realisation of what a technological and psychological leap forward she is for the principle of direct peaceful action to stop the relentless, unforgiveable rape of our world, 70 per cent of which is covered in water: doing for the environment what the civil rights movement did for the dispossessed.
She embodies a rapidly growing awareness of – and resistance to – the insane pursuit of short-term profits regardless of the bleakest consequences for the planet. I -  we – desperately need champions like Greenpeace., and Greenpeace needs us. So check out www.greenpeace.org and follow Rainbow Warrior’s vital odyssey.
Joel Stewart? He is the skipper.

 

Dear Meryl, I have a Moon Daisy for you

Written by Martin Kirby on January 1st, 2012

I am releasing a seed of hope on to the ceaseless airs of the internet. What chance is there I can get a message to an outstanding actress via one of you?
Well, you never know unless you strive. If you don’t ask you will never have an answer. Read on.
With vivid imaginings of the wetland wilderness of Norfolk co-starring with violinist Meryl Streep on the silver screen, I tapped away at the laptop on the farmhouse kitchen table, failing to notice that the room was filling with smoke. It was only when my eyes starting to water from pain rather than emotion did I snap into action and panic.
Maggie’s invaluable feminine counter-balance to my completely normal male peripheral vision deficiency – optical and mental – was of no use because she was a thousand miles away in England.
Man home-alone is, in my case anyway, quite shambolic; always well-intentioned with as positive a manifesto as you are ever likely to hear, but rapidly disorientated and ultimately pathetically unhinged, with desperate final hours of trying to clear debris and feign an ounce of the art of independence.
Nor did I have a 16-year-old Ella or 11-year-old Joe for meaningful rhythm and life support – they were with their mum – so for an alarmingly long week the hands of the clock rain like a train without stations.
Days merge when I try to write. Razors rust. I forget simple things; like it is wise to turn off an electric fencing before straddling it; like it is a good idea to test significant adjustments to the wood burner before lobbing on copious amounts of olive logs and some old uncracked hazelnuts for good measure, and then forgetting about it.
Second on my list of home-alone tasks, after fixing the wobbly refectory table that is the hub of family, was to boost our heating system before winter grew fangs of icicles and whistled its lamentation through the copious gaps around doors and windows.
As always with the onset of winter I’d sealed the charmingly original but woefully ill-fitting front door with precision pieces of rolled newspaper, old scarves and a vast blanket. But, after 11 years, I suddenly figured that our wood burner could raise its game if I put steel plates between it and the wall, hence reflecting waste heat into the room. Genius.
The wood burner was raging and the smoke had a chemical aroma which I immediately deduced was like smouldering loft insulation: (Should the retrieving of a step ladder from a barn, carrying it upstairs, erecting it and clambering into the loft while wearing overalls and slippers ever become an Olympic sport I could be in contention).
But the loft was cold.
Down I raced, sniffing walls and the chimney pipe that rises through the floor and into the roof hence emitting a degree of upstairs warmth. It was dangerously hot, but there was nothing to explain the pong…..until I fetched a torch and reviewed my handiwork. In manhandling the steel sheets into place I had somehow overturned two night-light candles. They were on top of the pulsing stove, upside down, their liquid wax coating the steel and giving off the acrid paraffin smoke.
Gawd. With luck and all the windows open there won’t be a whiff of any drama by the time Maggie gets home. She will be none the wiser.
And still I potter about utterly distracted, seeing with increasing clarity Moon Daisy, the film. A one-time seed of thought is now so close to blooming.
Fourteen years ago, at about 2am, en route home after putting the English regional newspaper Eastern Daily Press to bed in my then role as night editor, I pulled over at the end of a lonely bypass and made my first jottings for a novel. Count The Petals Of The Moon Daisy was published in 2007 and shortly afterwards Eye Film and Television secured the film rights.
The screenplay by creative director Frank Prendergast is now public while senior producer Charlie Gauvain has just been to Canada and America for co-production talks. Applications and negotiations about funding and casting are happening for a film which, just like the book, will laud the beauty and history of Norfolk, specifically the north rivers of the Broads.
But it will resonate far further than that – across the Atlantic among North Americans with English roots, with all lovers of compelling mystery and classic English drama, with everyone who craves overwhelming beauty and emotion in a film.
I don’t see many films like that these days, but I love them and I think others do too.
People ask what it is like. I say that Moon Daisy, with its opening scene of a Norfolk wherry, will have the epic historical impact of a Thomas Hardy adaptation, enthralling contemporary human and musical themes of films like “Shine”, with the Trans-Atlantic touchstones of motherhood and ancestry.
This is the storyline. Haunted by a childhood boating tragedy, American violin virtuoso Jess abandons her son, her career, and attempts suicide. But her actions hasten another death, not hers. She is bequeathed a cottage more than 3000 miles away in Norfolk, England, where, lost and bewildered, she discovers Anna’s diary. Can a life story from the past lead her to recovery?
We see it as a film project of profound significance in a world of overload, with the themes of loss, struggle and healing reflecting each other through the story, the landscape and the music: A rich tapestry of emotion, sound and vision that will give the film real depth.
These are critical days for the project as we go public, hence my extraordinary distraction.
Moon Daisy was initially supported by Screen East and then was contracted for further development funding just before Screen East went into liquidation.  So other sources of funding are now being pursued, fuelled by valuable support from leading film professionals who have read the script.
For what it is worth, if there is anyone among you who is interested in helping this happen, then let me or Eye Film know. Meanwhile we press on, spreading the word, pitching, making a commercial case for a film that is not about murder, sex, comic heroes or spies.
And we ponder constantly which American actress in her late fifties or early sixties, musically trained preferably, could play violin virtuoso Jess. I have one fixed in my mind’s eye. Yes, the tremendous Meryl Streep plays the violin as well as being perfect in a host of other ways, so if she is a friend of yours (we have countless North American visitors to this website every month seeking, no doubt, the finest extra virgin olive oil), or she is the friend of a friend of a friend, kindly tell her we would love to talk to her. I’m serious. Forward this on. Let’s see if it carries to her door. And if it has, well Meryl, thank you for reading, and allow me to offer you a very beautiful Moon Daisy.

Sticking with North America for a line longer, our first pallet to Toronto has almost sold out and another will be leaving in a few weeks for continent-wide distribution.

All of us here at Mother’s Garden in Catalonia wish everyone around the world a very peaceful year of fulfillment and happiness.

 

Christmas thoughts from The Garden

Written by Martin Kirby on December 19th, 2011


The wood burner crackles with life after damp mornings of downpour or mist, but still no hard frost as, overall, the weeks and days running up to Christmas have been in contrast to the economic storm embroiling the continent.
I continue to track Jupiter at night and ponder on Voyager, the space probe that is now 17,391,000,000km away and on the point of leaving our little solar system. Closer to home it is a metre to the kettle that’s coming to the boil behind me, a kilometre to the village, 100 kilometres to Barcelona and 1300 kilometres to my fading Dad.
Distance; a measure between two points; an incalculable feeling that can make heart and mind pound back and forth along the boundaries of reason.
The night sky here in the Priorat mountains, as in some quarters of England where one is spared the gross urban addiction to blinding electric light, is hugely relevant, numbingly complex, bewitching beautiful and no help in the matter of life. Or maybe it is.
Regardless of creed or continent I wonder how many of the 7 billion inhabitants of this tiny planet look at Jupiter and the Milky Way at some point during their journey and strive to see themselves, the human condition and our global obsessions in the context of an (as yet, maybe never) unfathomable universe.
Maybe it is the consequence of dwelling so remotely, where, like the countless dwellers on the ledge, I float in space every clear night that I go to check on the horses before bedtime; of approaching a milestone of loss.
Yes, I am feeling that distance from my father. I will be with him by the time you are reading this and will, no doubt, have walked the cliff-top coastal meadows of my Sheringham childhood. There, among the echoes, I will grapple with life choices, not least the troubling consequence of distancing myself and family from him for all but spasmodic weeks and days during the last 11 years.
He has always professed total understanding and given unquestioning support. But even so.
Whatever emotions flood, I will not be able to resist standing on what locals call The Bump (a clifftop hill, the residue of the ice age)  and searching the planets and stars. Strangely, it is always a great comfort.

Which begs this question for all governments: Can we turn out some lights please? It would save a significant amount of Pounds and Euros if all that matters is economics, and it may help people come to terms with the dark.

A culinary footnote. Two women have taken over a local restaurant. Not a good time to sally forth in business. Trade has not been brisk, so we decided to offer some support. Maggie and I try and go for a lunch once a month, spreading our custom among the local hostelries where you can get three courses and drinks for circa €12 a head.
We were the only people dining, but what the heck, it all seemed satisfactory …. until the dessert. I was particular excited by the option of a rice pudding sprinkled with cinnamon.
Two things rapidly became apparent. Clearly no one in the kitchen was capable of sprinkling, as not one grain of rice was visible through the thick layer of brown powder. Secondly, the same individual couldn’t tell the difference between cinnamon and paprika. You have to chuckle.
Keep well -  and Happy Christmas thoughts and best wishes to everyone out there from us all at Mother’s Garden.

 

Rush for New Harvest Unfiltered Olive Oil

Written by Martin Kirby on December 8th, 2011

Our annual NEW HARVEST UNFILTERED olive oil shipment has now landed in England for Christmas feasts – and 90 per cent has already been sold!
Every year demand for the freshest, finest olive oil grows as, thankfully,  more and more people appreciate that freshness is as equally important as provenance and a guarantee that the olive oil is 100 per cent extra virgin olive oil. That is why we always tell you where and when the olives were pressed and bottled.
If you have ordered this potent new harvest unfiltered oil, alive with fruit particles, it should be enjoyed within six months maximum.
But if you missed out, don’t worry, we are taking orders for a January shipment so get in touch (click here). This will be filtered new harvest olive oil that will be packed with flavour and goodness, as always from the groves that won the highest award on the 2011 Great Taste Awards – 3 gold stars. Get in touch.
And we can announce today that Mother’s Garden olive oil is now available in Canada.
We are working with Dos Cielos in Toronto where Maggie was born – a fledgingly business run by a family who have stayed at Mother’s Garden. As with our UK supplies there is a choice of larger containers (5litres) and 500ml glass bottles. If you are in Canada or America and are interested to learn more please drop us a line and we will put you in touch.

The olive harvest here on the farm has been early and a little disheartening. A very localised April storm crashed in from the west and pummelled the olive flowers, robbing us of all but a few precious fruits on our trees. Other growers have had better fortune – groves just half a mile apart tell different stories – and the cooperative farmers we work with have more than enough wonderful fruit for our customers, thank goodness.We gathered what we could, then shared in the harvest at our neighbours Marta and Benet, taking with us friends from Norfolk, Suffolk and Essex, all members of the Prendergast clan.
As we savoured the sight of the youngest picker, toddler Mina, sitting with legs splayed on the nets, it was easy for the eye to drift to the autumn colours of the adjoining vineyard. The hues this year have been more warming than ever and the pastel days refused to yield.

 

Handprints, relics, whispers and wonderings

Written by Martin Kirby on December 2nd, 2011


There are places where time concertinas, when history thumps you in the chest. Marçà-Giné’s ledge, a 60-seconds eagle glide from Mother’s Garden, is one such cradle of whispers.
A vast lump of limestone, as big as a bus, rests, tilting slightly, at the rear of this human eyrie, beneath the summit of the little Miloquera mountain. Scars on the face of the cliff tell of where it once protruded, giving shelter to a Neolithic community. Scattered artefacts have been found, and suddenly you witness with your mind’s eye the trauma of that second it lost its grip. What – who – may be have been crushed beneath?
Fifty feet in front of it, half way to the lip of the great ledge and the mosaic vista of farms and forests in the river valley, a crumbling earth bank cannot hide its Roman secrets among the stones: A finger bone, the shattered end of a forearm relic. Who was it? What did that life amount to? What was their world, their experience, their voice?
The ledge, as ample as a football pitch and now only inhabited by the wind and tortoises, once offered the vital elements to an early existence – relative security, water from an inexplicably high spring, a closeness to the heavens. Beyond the Roman graveyard the neat footings of a temple run east to west. The twisting track from below is a way of sorrows, with Stations of the Cross leading skyward to a site of Christian devotion for the faithful.
And at the peak, 100 feet above the ages-old refuge, one defiant jagged corner remains to tell of the castle that looked down on the long lost timber homes that crowded this perch through the Dark and Middle Ages.
Over recent centuries the village has trickled to the base of the mountain and turned to brick, where, in one house among the many leaning into the narrow streets, Marçà-Giné was born in 1918. This renowned sculptor and later-life recluse was the final master of the ledge, the last of the ghosts. Revered by his community they gave him the space and peace he needed to work, reforming the scattered Roman temple stones to build him a great house high above them.
Marçà-Giné died five years ago and the village council decided to transform the space around the cobwebbed house from abandoned vineyard into a startlingly beautiful herb garden and sanctuary for the rare local tortoises. But the money ran out before work could begin within the walls.
Every time I have taken visitors to the “Garden of Scents”, to count newborn tortoises, breathe deeply and look out over the timeless sierra as all chapters of humanity have done, the house and its secrets have been sealed. Until this month.
We had ascended with two Norfolk friends, with good reason but little hope of getting beyond the gates because the garden is closed to the public in winter.
Teresa Verney, who runs Sing For Joy gatherings in orfolk (Norwich, Cromer, Sheringham and Binham), had come to plan with Maggie a Sing Away holiday tour at Mother’s Garden next April – sold out in a week, but we are making plans for more. The ledge seemed a perfect place for the guests to spend an hour in full voice, if Teresa agreed. The idea is to base the singing and socialising at the farm, with outings to beautiful places, with walks and feasts, laughter and beauty.
Jane Stevenson of Cromer-based Creature Comforters, the flower essence maker, was there too. She sings for joy with Teresa and also works with Maggie on essences, so came for two enriching reasons.
As we approached the gate our friend Pere the retired blacksmith and village historian with a timeless face and steady heart was just locking up after an hour of pottering. He pulled his pipe from his mouth, smiled like the sun and put the key back in the padlock.
We entered the great house from the side, climbing and crossing the flat roof of the pottery and kiln to emerge into the vast second floor, where all interior walls had been removed. Bunches of bone dry herbs were strung from beams. Cobwebs curtained windows and sewed a black wooded chair into a door frame.
A grand fireplace dominated the far end, and round the corner on the kitchen wall the sculptor had painted in great letters “I WILL NOT LET FAME ROB ME OF MY LIBERTY”.
Pere guided us down narrow stairs patterned with Marçà-Giné’s clay hand prints. We slowed, fanned fingers and pressed our palms into his. Below was the dusty ground floor leading to the cold kiln and redundant workshop with its line of empty shelves. To the back of the building a hole had been punched through into the now dry chapel chasm of the old water store. Teresa ducked and entered and it resonated with song as, from another corner, Pere turned holding an unopened wine bottle caked in time.
The house was not without the living. Four tortoises who had yet to hibernate were stocking up on lettuce leaves on the bare earth of an ante-room.
Back at the farm, Maggie, Teresa and Jane sat at the kitchen table and worked excitedly on the detail of the April singing holiday, agreeing that they would begin with a group of 15. I, meanwhile, lost in time, wandered outside and gazed up at Marçà-Giné’s ledge.

I will post again in a few days, with news of the olive harvest…………

 

Sing Away holiday at Mother’s Garden

Written by Martin Kirby on November 23rd, 2011

We are excited to announce that in April 2012 we will be holding a week-long singing holiday here at Mother’s Garden, organised in collaboration with singing teacher Teresa Verney of Sing For Joy.
Teresa will teach a wide range of simple songs she will show participants how to explore ways of using the voice to express the huge range of human emotions. It does not matter how well you think you sing, and everything is taught by ear. As a balance, we shall also be finding ways to be still and silent.
We will be visiting local places of interest, talking, making friends, enjoying wonderful food – all here on the farm in the Priorat mountains of Catalonia.
Places are going fast – just 14 for this our inaugural event from April 14 to 21 – but there may be more in the future if it goes well, so get in touch if you are interested.
Click below for more details, pricing etc

http://www.teresaverney.com/singingholiday.html