Eye to eye with the emperor
Every morning I dwell in possibility. It is three weeks since I came out of hospital. I may not brim with energy, but I watch it, sense and draw on it in the enchantment of outdoors. Fifteen slow strides from the back door a wicker chair bides by the spring-fed reservoir and I drink the view, the sanctuary of nature and pulse of life. The emperor edged closer, iridescent sapphire with gold in his jewelled stare, his four wings a haze. With every circuit of the round mirror of water he hovered to study me, or rather my lily feet and ankles propped high on the curve of the wall. Other dragonflies and insects scattered before him for fear of being food. He will rule for just two weeks, almost constantly in flight seeking a female or prey - the power, majesty and frailty of life incarnate. While I wondered at his species I felt he was questioning mine. I hope to see him every day of what life he has; he and our barn swallows and the martins sweeping in to drink. A few days ago a golden oriole failed to notice me and charmed his way through the olive grove, pausing at every tree in one row. I sat like a rock. All that moved was my mouth as I beamed as brightly as his breast. Then, in a blink, a bee-eater came to copy the swallows, pulling out just in front of my toes and blasting its brilliance in a flap of panic inches from my face. The hospital indoctrination of patience has its dividends. “Recovery will take many months” was the emphatic mantra and I must abide to the need for diligence, to listen to my body and sleep, sleep, sleep. And when I stir I do not go so far, yet. I sit or stand still more now than I have ever done, and life comes to me; returning to my body in tiny measures every day. The sustenance of home and loving care, my bed and the rich diversity are working. Fledgling swallows from nests glued to rafters in the barn chatter on the sundial during flying practice. Below them, beyond the leaf canopy and bunches of the muscat vine that shades the front door, seven feet tall hollyhocks sway in the breeze, attended by several species of bees . Nearer still to the red earth where our chickens bathe in the dust, the hefty carpenter bees, their hum an octave lower than the other pollinators, prefer the sturdy bloom storks of the dramatic, glossy, dark green and broad-leaf (with a spike at the end) acanthus, or bear’s breeches, a remarkable plant rooted in herbal medicine and, bizarrely, classical and Renaissance architecture and art. Native to the Mediterranean region but now found worldwide, the leaf motif of this plant was carved into the tops of Corinthian columns from the 5th century BC, something copied by later architects and sculptors, also being used in wood carving and in friezes. The story, according to Vitruvius, writing in 30BC about architecture, is thus. A native girl of Corthin was struck down by a disease and died. After her burial some of her prized possessions, some goblets, were put in a basket and placed on her grave. A tile covered them to protect them from the weather. But the basket had been placed on the root of an acanthus, which grew, sending shoots up and around the basket, cupping it in foliage. The architect Callimachus saw this and was inspired to use “the style and novelty of the grouping” in his marble carvings. The name acanthus comes from the Greek Akanthos, aka meaning thorn, thos meaning flower. The tough flowers, spiny, toothed bracts, rise on rigid stalks and, as I sit enchanted I surmise that only the beefy carpenters are tough enough to breech them. (I still haven’t found an explanation for the “bear” name.) The honeysuckle is a flourish of yellow blossom and scent. There I counted six species of bees, sharing the air and nectar with a solitary humming bird hawk-moth. I leant on the grass bank wondering whether to attempt a photograph. The still morning air is always rich with life – hover flies, a ruby-tailed wasp (or cuckoo wasp) looking in the wall crevices for other insects’ nests, wasps and flying ants to name but a few. The grass too: crickets, ants and shield bugs of various characters. To the east and south of our weather-beaten, wide front door, shading the dog kennel and hammock are fig boughs that bow to the ground with the weight of teardrop fruit, still deceptively green. They will ripen before the eyes and be falling within days. The dead crown on the biggest tree needs to be lopped, but hasn’t been because it is also the pedestal for fluting orioles, warblers, finches and, more than most, the serins. A pair of hoopoes has materialised to further lift spirits, while the whistle of the bee-eaters billows dawn and dusk. June has been mild. We have had occasional thunderstorms and deluges, sustaining much of the green where normally the ground is parched. Even the happy clover clogging the vegetable patch is in delicate white flower. Soon, though, the summer heat will slide in to a harsher rhythm, day and night. Electric fans will purr in every room and we will hide and wait for the relief of late afternoon breeze to reach us from the sea 15 kilometres away. Then we emerge and our shadows grow into giants. If we cannot sleep in the afternoon, then we will read or talk some more about the world in flux, the portents of a brewing El Niño in the warming Pacific, or maybe the recent prognosis that we could be on the verge of a mini ice age, but one that will not deflect the consequences of certain global warming. We believe it is important to take a deep interest, and we suffer unending unease about these core realities for our planet and our arrogance and persistent failure to read the signs and react as if our lives and those of our grandchildren depended on it. I’m sure that if the compulsion to clamour is not yet there, disquiet is of pandemic proportions, surely. But who among the economic straight-jacketed world leaders, will have the strength to make an immediate, profound, defining difference, for you, me, everyone and the emperor? The truth is, though, it will take the masses to clamour and force. The establishment is always inherently incapable or, worse, unwilling. SHAKING THE TREE, Martin's sequel to No Going Back - Journey to Mother's Garden, will be published as an e-book on July 15. To pre-order click here. This is an updated edition of the paperback book published in 2010, now out of print.