Do you sense that walls are a store of echoes? Moments arrive and never really leave. Places seem to absorb the good and the grim and then hold them, emitting the essence of happenings. I am acutely aware of this on entering an old building. Maybe you are too. Perhaps it is simply imaginings, but that first feeling rarely passes. The Mother’s Garden farmhouse enveloped us with welcome the first time we brushed aside cobwebs and opened the shutters to let in the light, and the happiness and goodness are still as warming and rich today as that first illumination. Down the track, next to the wild flower meadow, people have carried laughter and contentment into our holiday cottage, and now there is song too. The abandoned water reservoir beside the pool, reconstituted with stout roof and glass doors as a dry space for good things, is flooded with tuneful voices forever more. Fourteen people had come to Sing Away with teacher Teresa Verney, in a week jewelled with fulfilment and fellowship, swallowtail butterflies and glorious surprises. Towards the end of last year I told of our and Teresa’s plans – inspired by our mutual friend the Jane Stevenson of Creature Comforters for whom Maggie makes some Bach flower remedies - to somehow combine Teresa’s great accomplishments with her Sing For Joy groups in Norfolk, England, with the happiness of here, and so it came to pass. Within days of the activity holiday idea being aired it was fully booked and our handwringing began. Would it work? At the end of the seven days the assembled had gifted their echo and also sung spontaneously upon mountain tops, in a wine cellar, a church, a Syrian restaurant and in the former home and garden of a famous sculptor that’s now a sanctuary for the rare Mediterranean tortoise. Proof positive of the joy that can come of finding your voice, sharing, learning, eating, talking, drinking and laughing long and loud: Add to that taking long works, bird watching, standing and staring and scenting your hands by running them through herbs. As for those glorious surprises, well, what can I say? Jim and Sarah Woodhouse, who live within the scent of the North Sea close to where I free-ranged as a child, are close friends of my godfather John Bell, the link being Lancing College, West Sussex, where Jim was headmaster and John was a master for 32 years. John had lodged with my parents at the start of his teaching career at 53 years ago. Then we discovered that Sarah is the founder of a charity we wholeheartedly endorse - it is called Right From The Start - which is committed to underlining the need for a loving and secure environment for children at the earliest stages of their lives and so create a similar core benefit within families and communities. How fundamental is that? Please have a look at the Right From The Start website. I was just absorbing all of that when it emerged in coffee-break conversation that violinist Sarah Chadwick, who both sang and played at Mother’s Garden, is connected to two people I have the highest regard for. Sarah is the niece of the late Roy Clark, author of the definitive Black Sailed Traders (1961) and one of the small group of leading local figures including Lady Mayhew and Humphrey Boardman who worked tirelessly to the save Albion and hence keep the story of the Broadland wherries alive. I wrote a small book about Albion in 1998 for the Norfolk Wherry Trust and the first words within it are, fittingly, not my own but Roy’s. I talked to Sarah of my appreciation of him, and how his work was among the inspirations for my novel Count The Petals Of The Moon Daisy. I explained that the book is about a violinist and that another touchstone for it had been the pastoral music of English composer Herbert Howells. Oh, she said. She had studied at the Royal College of Music and knew him. This is when I had to sit down. How I wish I had met him. He died in 1983 leaving a legacy of glorious works. When we make the film of Moon Daisy - yes, we are getting closer – the entire score will be drawn from his compositions. So you see, I found the voices all the more enchanting, in song and word. The singers went home and I wandered in the company of a nightingale. Diversity and pace; perhaps these are the keys to logging experiences, so long as we stand and just be once in a while to properly gauge circumstance and detail, to register our place in time and to remind ourselves to use that time better; to acknowledge the obvious that, somehow, some days, we do not see; to break our gaze from the mollifying collectives of some surreal diversions headed by the dire and (I pessimistically believe) encouraged anxieties of image, possession, economics and, ironically, time. I am sometimes blown over by the rush of the human race, with people all but busting blood vessels to keep up with whatever they will dream up next to keep everyone paying. Is life truly satisfying when it amounts to a line of expensive and “awesome” funfair rides where you sweat to buy the ticket then just sit like a plum pudding? Sorry. I just think everyone craves less of more, with time to live and give. Now for news of a tight squeeze. What is adventure without a little terror? I’m in a hole....well I was a few hours ago; more than four metres down an ancient chest-wide shaft cut into the red rock, to be precise, trying to fathom out why our spring has stopped. I already knew from a “never again!” descent a couple of years back – remember? - that at the bottom of the shaft a tunnel barely big enough for a toddler had been painstakingly chiselled into the hillside. So I crouched, took an enormous breath, muttered a few foul oaths and paddled along it. Five metres from the shaft there had been a great collapse. A pile of rocks and mud was blocking not only my way forward but also the flow of spring water. Roots dangled from the dark void above, and my feeble torch could just pick out a great space beyond the fall. I backed out at a rate of knots and climbed into the sunshine to tell a visiting friend how scary it was. He immediately volunteered to go down with a camera. Mad as a box of frogs. Sure enough, the photographs showed what looked like a man-made stone arch beyond the rock fall. Who? How? When? The dilemma is what we can do without disturbing what could be an important site. We figure there can only be about three metres of rock and earth above the cavern, making it highly dangerous to drive a tractor or even walk above there. And, as I said, the water to our bassa (water store) has ceased. Doing nothing is definitely not an option. So I have just taken expert advice and within the next few days we expect to be carefully clearing above the rock fall, opening and unblocking the spring and taking a clearer, safer look at the arch and what lays beyond it. Close to that point we have a most unusual terrace wall just before the summit of the farm, comprising of right angle lumps of rock bearing the remnants of lime render, as if they had been taken from a ruin. You know what I am thinking....... This fertile valley has been peopled since Palaeolithic times, and the evidence is scattered everywhere. To site a dwelling on this gentle rise, close to water, would have been an obvious choice. Oh for the gift of time travel. Just a few days before I descended into the blackness I and the family climbed the valley wall into the light to look over the timeless pattern of life. We passed a pink man in a white vest and weathered jeans carved the loamy red earth with a mattock. His narrow terrace and the rhythm of his labour snaked towards us between the babble of the river and the silence of the forest. We were rising into the peace. After downpours, double rainbows and thunderbolts the clear air overflowed with colour and life. We slowly zigzagged up the face of the limestone ridge, absorbed by the dappled-shade-delicacy of the moss and the fern amid the host of nature and its perfume, contentedly lost for words, lost in time. With late shoots of wild asparagus sprouting from our fists we walked along the top of the ridge as man and woman have always done, until we found a suitable ledge on which to contemplate and picnic. Bliss. I will relay news of the spring works next month with tales of Nartists in residence too, but meanwhile leave you with another treat, for entomologists and all lovers of wonder. As you stand in the horse corral, dusty as the High Chaparral, four to five staggeringly large hymenopterans fly figure eights around your ankles. They are 4cm long scolia flavifrons, black with two yellow bands, known to some as mammoth wasps. Nectar gathers who are as large as the carpenter bees that are working the wisteria outside the back door right now, and seemingly just as unaggressive, they are parasites of the rhinoceros beetle which perhaps explains their unceasing dance close to the horses. Since Spook the Anglo-Arab steed arrived we have the best roses in the valley and have been able to gift sacks of hhuu, as my mum would call it, to neighbours. The juggernaut beetles have been lured by the dung fragrance too, so the circle of life spins on. PS: I now write a small weekly blog for the small business blog http://sme-blog.com/ should our fiscal trials, tribulations and the merry dance of earning a living at Mother's Garden be of interest. Anyone who is doing their own thing or is thinking about it might find the site helpful.